The hangman, who was as drunk as anyone else, uncoiled the rope’s free end from each prisoner in turn and threw it up to an assistant balanced precariously on the beam above. When the moment came, the carts would be driven out from under the prisoners, leaving them dancing the Tyburn jig, their legs paddling helplessly in the air. Beneath the shoulder blades of the limp form lying there lay the heart that had hated him, that had beat high at the thought of seeing him kick at the end of a hangman’s rope, that had exulted in the prospect of him dancing a death dance on air. A stylized pattern of movements performed by an animal, as a bird in courtship display, or an insect, as a honeybee in indicating a source of nectar. To move one’s feet or body, or both, rhythmically in a pattern of steps, especially to the accompaniment of music. These example sentences are selected automatically from various online news sources to reflect current usage of the word ‘dance.’ Views expressed in the examples do not represent the opinion of Merriam-Webster or its editors.
Rave fashion also evolved among attendees, which The Guardian described as having progressed from the 1990s “kandi raver” to ” slick and sexified yet also kitschy-surreal image midway between Venice Beach and Cirque du Soleil, Willy Wonka and a gay pride parade”. These events differed from underground raves by their organized nature, often taking place at major venues, and with measures to ensure the health and safety of attendees. MTV’s Rawley Bornstein described electronic music as “the new rock and roll”, as has Lollapalooza organizer Perry Farrell.
“On and On” is sometimes cited as the ‘first house record’, though other examples from around that time, such as J.M. House music quickly spread to American cities including New York City, and Newark, and Detroit—all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia.
By the end of the 2010s, EDM’s position as the dominant force in mainstream popular music began to plateau as it became displaced by other styles. Synth-pop (short for ‘synthesizer pop’; also called ‘techno-pop’) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the “Krautrock” of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Professional dancers are usually employed on contract or for particular performances or productions. The professional life of a dancer is generally one of constantly changing work situations, strong competitive pressure and low pay.
Dance served to unite the many African, European, and indigenous peoples of the region. Certain dance genres, such as capoeira, and body movements, especially the characteristic quebradas or pelvis swings, have been variously banned and celebrated throughout Latin American history. The common ballad measures of hymns and folk-songs takes their name from dance, as does the carol, originally a circle dance. Many purely musical pieces have been named “waltz” or “minuet”, for example, while many concert dances have been produced that are based upon abstract musical pieces, such as 2 and 3 Part Inventions, Adams Violin Concerto and Andantino. Similarly, poems are often structured and named after dances or musical works, while dance and music have both drawn their conception of “measure” or “metre” from poetry.
Meaning of dance in English
Anheuser-Busch has a similar relationship as beer sponsor of SFX Entertainment events. In 2014, 7 Up launched “7x7Up”—a multi-platform EDM-based campaign that included digital content, advertising featuring producers, and branded stages at both Ultra and Electric Daisy Carnival. Wireless carrier T-Mobile US entered into an agreement with SFX to become the official wireless sponsor of its events, and partnered with Above & Beyond to sponsor its 2015 tour. 兒童跳舞班 sign agreements that prevent them from working for anyone else or establishing themselves as a solo artist. Such non-disclosure agreements are often noted as predatory because ghost producers, especially teenage producers, do not have an understanding of the music industry.
Dance Education for All
Elements of electronic music also became increasingly prominent in pop music. Radio and television also contributed to dance music’s mainstream acceptance. This new scene was seen primarily in the New York metropolitan area and was initially led by the urban contemporary artists that were responding to the over-commercialization and subsequent demise of disco culture.